A Boy's Own Story
- 256pages
- 9 heures de lecture
'Every so often a novel comes along that is so ambitious in its intention and so confident of its voice that it reminds us what a singular and potent thing a novel can be' San Francisco Chronicle
Cette série explore le monde intérieur complexe d'un jeune garçon aux prises avec sa différence et cherchant sa place dans le monde. Les romans mêlent avec brio des éléments autobiographiques à la fiction, révélant un conflit entre l'observation détachée et un profond désir d'acceptation et d'amour. Les lecteurs seront captivés par cette exploration perspicace de l'adolescence, de la vulnérabilité et de la quête d'identité. C'est un récit intemporel sur l'effort humain universel pour se comprendre et se connecter aux autres.



'Every so often a novel comes along that is so ambitious in its intention and so confident of its voice that it reminds us what a singular and potent thing a novel can be' San Francisco Chronicle
When the narrator of White's poised yet scalding autobiographical novel first embarks on his sexual odyssey, it is the 1950s, and America is "a big gray country of families on drowsy holiday." That country has no room for a scholarly teenager with guilty but insatiable stirrings toward other men. Moving from a Midwestern college to the Stonewall Tavern on the night of the first gay uprising--and populated by eloquent queens, butch poseurs, and a fearfully incompetent shrink--The Beautiful Room is Empty conflates the acts of coming out and coming of age.
The final volume of Edmund White's autobiographical trilogy continues the exploration of identity, sexuality, and personal history. Building on the themes from his previous works, it delves deeper into the complexities of the author's experiences and relationships. This installment promises to provide a profound and intimate reflection on his life, enriching the narrative established in the earlier books and offering readers a compelling conclusion to his story.